The music, singing, acting, and story are all so good that I want to get one of my pet peeves out of the way before I start reviewing the opera. My peeve is not with any aspect of this Met HD production, but with Christoph Willibald Gluck and his librettist Nicolas-François Guillard. The story is about a bunch of Greeks, so what business has a Roman goddess got interfering in their affairs? It should be Artemis! But Gluck says Diana, and since I’m reviewing Gluck’s opera, I’ll have to go along with it. But under protest, mind you. Continue reading
- The Magic Flute Review – Pocket Opera is Magic
- Madama Butterfly Review – Opera San Jose’s Provocative Take on Puccini’s Classic Favorite
- Elixir of Love Review – West Bay Opera produces another gem
- GALA Review – West Bay Opera starts a tradition?
- Hansel & Gretel Review – An Afternoon of Sheer Delight