Category Archives: Opera Review

The Magic Flute Review – Pocket Opera is Magic

Posted on March 18, 2014 by philip

Mozart’s Magic Flute is probably his most complex opera, both musically and in terms of plot. Artistic director Donald Pippin and Stage Director Nicolas Aliaga have chosen to present a delightful entertainment which does full justice to the Continue reading »

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Madama Butterfly Review – Opera San Jose’s Provocative Take on Puccini’s Classic Favorite

Posted on February 22, 2014 by philip

There is only one possible word to describe Act I of the opera I saw on Sunday, February 16, 2014 – Beautiful. Never has Puccini’s gorgeous music been played with such delicate precision.  Continue reading »

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Elixir of Love Review – West Bay Opera produces another gem

Posted on February 19, 2014 by philip

It’s been a quiet couple of months on the opera scene in and near Palo Alto. Good thing for the Opera Nut, since I’m just back in circulation after a week in the hospital and another week under house arrest as I recuperated. Nothing serious, thank you, and I’m now fully recovered – in the nick of time, since I have just seen four different operas in five days!  Continue reading »

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Hansel & Gretel Review – An Afternoon of Sheer Delight

Posted on November 21, 2013 by philip

I have a problem. How do I write a review of Opera San Jose’s production of Hansel & Gretel that expresses the utter joy that I felt Sunday afternoon November 17, 2013. Taking a slight liberty with the Rogers and Hammerstein song about Maria in The Sound of Music,  Continue reading »

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Barber of Seville SFOpera Review – Some new Twists on an old Favorite

Posted on November 17, 2013 by philip

There are some old favorites, such as Tosca in which the music, characters, and/or the plot are so complex that a skilled director can bring a new insight to the most jaded opera lover. Rossini’s The Barber of Seville is not one of these.   Continue reading »

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Flying Dutchman SFOpera Review – Who says Wagner is Inaccessible?

Posted on November 1, 2013 by philip

In her pre-opera talk on October 28, 2013, DesirÉe Mays referred to The Flying Dutchman as Wagner-Lite. Since I regard “Lite Beer” as an abomination, I don’t entirely like her term – I’d rather call it Wagner-Accessible or Wagner-User-Friendly. The music is still powerful, but I walk away with a couple of actual melodies running through my head; whereas I walk away from a performance of The Ring thoroughly awed by the cumulative effect and a head full of motifs fighting for my attention.  Continue reading »

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Falstaff SFOpera Review – A first rate Treatment with a strong Bass

Posted on October 22, 2013 by philip

When you start with a plot by Shakespeare, music by Verdi, libretto by Boito, an orchestra conducted by Nicola Luisotti, and title role sung by Bryn Terfel, it is not surprising that the result is a wonderful evening of entertainment.  Continue reading »

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Eugene Onegin MetHD Review – Anna Netrebko IS Tatiana

Posted on October 9, 2013 by philip

Eugene Onegin by Pyotr Ilyich Tchaikovsky
MetHD Live, October 5, 2013
MetHD Encore, October 9, 2013
Cinemark, Palo Alto, CA  Continue reading »

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Dolores Claiborne Review – Grim but Fascinating

Posted on September 26, 2013 by philip

Dolores Claiborne is unforgettable.
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Mefistofele Review – Boito’s Opera is truly epic

Posted on September 24, 2013 by philip

I walk into the War Memorial Opera House, I show my ticket, the usher hands me a program, I glance at the cover, and WOW!

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