Many many years ago my father took me to a performance of Cosé¬ Fan Tutte. The only thing I remember about that experience is that during the intermission I told my father how disgusting I found the behavior of Guglielmo and Ferrando. They expect their sweethearts to be pure and true and faithful to them, while they are perfectly free to test them in this sneaky underhanded way. Dad explained to me that one shouldn’t take operatic characters too seriously; just enjoy the music and the comic situations they get themselves into. Good advice then, and very apt for the production from the Royal Opera House which I attended December 4, 2010. Continue reading
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